Heidi Garrett's Exclusive Newsletter


Books by Heidi Garrett

Books by Heidi Garrett

Once Upon a Time Today is a contemporary fairy tale novella collection. In these stand-alone retellings of popular and obscure fairy tales, adult characters navigate the deep woods of the modern landscape to find their Happily Ever Afters. The Daughter of Light series is a fantasy about a young half-faerie, half-mortal searching for her place in the Whole.

Tuesday, October 7, 2014

I Am Lily Dane by Heidi Garret

I'm so excited! Guess what is coming on November 1, 2014?


ABOUT I Am Lily Dane:

Lily Dane is a bright light. A spiritually barren, consuming flame, she befriends girls whose inner lives are rich with dreams and compelling desire. Their unapologetic souls fascinate her. However, Lily’s interest in her peers isn’t friendly, she’s obsessed with the machinations of crushing their spirits.

Lily also has a shadow who is sentient. A freak of nature? An abomination? Who knows? But Lily’s shadow is consumed with stopping the emotional and psychological devastation its host always leaves in her wake.

I Am Lily Dane, A Horrific Fairy Tale is a psychologically dark retelling of Han’s Christian Andersen’s “The Shadow.”


Stay tuned to find out why this novelette will be released on November first...

Friday, October 3, 2014

Susan at the Book Bag Celebrates her 1000th Blog Post!

Susan at The Book Bag has reached the amazing milestone of 1000 blog posts! To give you some perspective, my blog has 185 posts to date. The Book Bag has 815 more posts than that! Certainly, something to celebrate. And Susan is doing it right with a GINORMOUS giveaway.
You can enter to win over 30 books, a $20 Amazon Gift Card, and a cute book bag. So don't miss this party! Join in the celebration HERE!

Friday, September 26, 2014

The Way They Speak!?!?!

I grew up in a bi-lingual household and lived in South America from the age of six months to two-and-a-half years old—english, varieties of spanish (castilian, latin american), spanglish, and broken english are all part of my ear, my life, and my experience on this planet. They all feel like home, and they've all contributed to how I perceive the world, and how I voice how I perceive the world.

In high school, I studied Latin, root of the Romance languages. I’ve dabbled in the study of Italian and French. My maternal grandmother was fluent in German, and I would often randomly ask her: Say something in German, grandma. I didn’t care what she said, I just wanted to hear that other language so different sounding from my native tongue(s). I’ve always loved music, and wrote songs for over a decade.

Language and words are my playground.

This is a mural sold by www.muralunique.com

The sound, the rhythm. How it stops. Starts… and flows. My ears are always alert for another way of using words.

In my twenties, I immersed myself in the works produced by academic and radical feminists: Betty Friedan, Mary Daly, Andrea Dworkin. They espoused a different way of viewing the world, life, experience, the father god. Hip Hop, Rap, Texting, Twitter, we’re constantly tearing down the walls of formal expression.


Destruction for destruction’s sake? No, the purpose of all this breakdown is to cut closer to the bone, to excise that which is superfluous to expression, and thus increase the bonding and connectedness of shared human experience. Tear down those walls, I say:D

What about the novel? What about the novel as art?

Dare we mangle formal/accepted/traditional usage/rules on behalf of our characters?

My latest release, The Tree Hugger, employs a dialect. The kids in the Free Territories have grown up without the benefit of any formal education. Most days, survival is at the forefront of their minds. Where would they learn proper English? Why would they care?

I know, I know, phonetic dialect is UGH! No. Oh, please, no! And yet, I’ve had readers who have loved the dialect as much as the story.

I’m currently collaborating on a paranormal romance with an author whose first language isn’t English, it’s Filipino. It’s such an honor and opportunity to work with someone who lives on the other side of the globe and experience her way of seeing the world. Our main character is a nineteen-year-old witch with a best friend whose parents are of Hispanic descent. If you’ve ever been around someone with Latin blood you know: They’re often emphatic, passionate, and emotive, never flat. After working with Billie Limpin, I've discovered the same can be said about Filipinas!?!?! (What can I say? It's infectious:D) And it seems to us, when the two young women in Cupcakes & Kisses get together, one exclamation point just won’t do!?! It just doesn’t capture the volubility of their exchanges!?!?!

I know the pleasure I experience with playing with language and dialogue—including punctuation!?!—comes from my own verbal history and the verbal gymnastics I appreciate. It feels appropriate to bring this reality to my novels.

What about you? As an author, would you ever mangle the English language on behalf of a character? As a reader, would you be offended if an author did? Are rules made to be broken? Or when it comes to proper English in novels... are the rules inviolate?